Different Time, Same Style: Iconic Patterns

I’m fascinated by the clothing people wore to express themselves in the past. It’s a lot to consider—their personality, ideas about clothing passed down to them by parents or caretakers, wider cultural ideas about what specific pieces meant, the social-political zeitgeist, and how a person put it all together to create their unique sartorial expression. I like to take this stroll down memory lane a step further by conceptualizing what these people from eras or decades past would wear today, in our time and culture. When I see a picture of someone from the past, I consider what factors impacted their clothing choices during that time. While I take creative liberties, I look for relatable themes I use to construct what their outfit might look like today if they were the same age in the picture. I feel like this type of exploration helps us to refine our own style (what Trulery is all about). Lately, my teenage son has been into wearing headbands. He asked me if I liked it; and I asked him the reason he decided to wear it. Then I proceeded to bombard him with a series of questions (just like a mom). I asked him what statement he was trying to make with the headband; if he knew how, where, and in what context the headband originated; and how, where, and in what context it has been used since then. I shared that if he does not know the answer to these questions, it’s difficult to make a strong statement with the headband because he does not know what he is reacting to, or what message he is actually conveying. Needless to say, he hasn’t asked me about the headband since. But my questioning drove home the idea that confident dressing is very much dependent upon our knowledge of history.

For this installment of DTSS, I’m featuring iconic fabric patterns that have lasted through time— plaid, houndstooth, and florals. Similar to the headband, it’s a good idea for us to learn the meaning of the patterns we wear in order to become more attuned to the messages we’re conveying through our clothes. Of course, it’s an ongoing process, but we can learn together.

blazer/dress/purse/shoes/ inspiration pic/same feels pic

Plaid

We often associate plaid with Scotland; but plaid (or tartan as it’s called) has apparently been around way longer. In fact, archeologists discovered the fabric on mummified bodies in Central Asia! Since that time, plaid has been associated with Scottish families/clans and later used as part of their military uniform. In the United States, it became associated with pioneers and lumberjacks; and was considered a fabric suitable for outdoors. By the mid-twentieth century, plaid was used everywhere from clothing to wallpaper; and has been thought of both as anti-establishment and aristocratic. So seeing Denise Huxtable (aka Lisa Bonet) wearing an oversized plaid blazer in the late 80’s early 90’s, it feels “punk” or “boho”. Both blazers and plaid are masculine; and the idea of a female wearing an oversized plaid blazer is ironic, and perhaps intended to subvert the power structure, in the most stylish way of course. Not to mention, it is also very comfortable to wear, and perhaps somewhat alluring. The oversized blazer still carries the same anti-establishment vibe it did 30 years ago, and perhaps the irony is heightened given the increasing erosion of the white, heterosexual male power structure. Worn with a slip dress, the blazer exaggerates the juxtaposition between feminine and masculine, and the allure that wearing both holds. I accessorized it with a modern, square toe slide that I love, and it fits well with the angular feel of the blazer.

blazer/pants/boots/headband/bag/sweater/ inspiration pic/same feels pic

Houndstooth

Like plaid, houndstooth has been linked to Scotland (they have a way with patterns), and was worn by shepherds (it’s also known as “shepherd’s check). By the 1930’s houndtooth was seen as a symbol of wealth, and designers such as Christian Dior used it in their collections. The classic, black-and-white pattern manages to look both modern and vintage at the same. When Lauren Bacall wore it during the 1940’s, she made it seem both edgy and sophisticated, especially with the beret (which is often associated with military and police), and of course the cigarette. Now offered in a variety of colors, the houndstooth pattern may seem less classic than the black-and-white, but continues to carry that distinguished appeal. In an attempt to evoke the same edgy, refined appeal as Lauren Bacall, I thought I’d pair it with combat style boots and a braided headband to keep it ladylike.

Florals

Floral prints are believed to have originated in Asia, and have been around for centuries. But throughout much of history they were reserved for the “upper classes” until technological advances made printing more accessible. Floral designs are most associated with femininity especially when dainty and small. However, different floral patterns evoke different feelings. For instance, the large, colorful geometric florals of the 60s’s feel modern and fun. The inspiration photo is reportedly of an African-American girl in 1910, and she is wearing the Edwardian fashion of the day. Reportedly, newly freed black people wore these clothes to stand out; and the history of black people “stepping out” or “showing out” may be attributable to this time when it was so important for them to express themselves and their identity. I think this picture is beautiful and love how she is wearing a belt and necklace—signs of individuality. I decided to recreate this look using a dress with floral embroidery, and these Jamaican inspired sandals are a subtle celebration of (my) afrocentric heritage.

Which prints to do you wear the most, and why? I’d love to hear about it in the comments. :)

Different Time, Same Style: Special Occasion

I continue to be fascinated by the clothing people wore to express themselves in previous eras. It’s a lot to consider—their personality, ideas about clothing passed down to them by parents or caretakers, wider cultural ideas about what specific pieces meant, the social-political zeitgeist, and how a person put it all together to create their unique sartorial expression. I like to take this stroll down memory lane a step further by conceptualizing what these people from eras past would wear today, in our time and culture. When I see a picture of someone from the past, I consider what factors impacted their clothing choices that day. While I take creative liberties, I look for relatable themes I use to construct what their outfit might look like today if they were the same age in the picture. For this installment of Different Time Same Style (DTSS), I’m exploring our mom’s clothing choices— mine and my friend Myriam’s mom to be exact. I’m focusing on special occasions, as getting dressed up to go out really brought out the fashionista in these women.

In order to understand our moms’ sartorial choices, let’s consider their history. Myriam’s mom, Ms. Zula, always liked clothes, and her interest in clothes came from her mother. Though she did not grow up with a lot of money, her mother made sure she was put together with her hair combed and styled. She was drawn to dressing up, and described her style as “fancy".” In her adult life, Ms. Zula moved from Haiti to the States. Like many Caribbean women, she worked hard to create a good life for her children and family in a new country; and instilled many values in them like responsibility and pride. So being well-dressed one way to express these values.

In this picture, Ms. Zula is dressed up for a holiday function— a time we all love to show off or best gear. When Ms. Zula was asked about her outfit choice in this picture, she said she felt good about her dress. She liked the color and the way it fit. She had no qualms about wearing red and pink because “they go together.” Sometimes people shy away from the tension created when you combine variations of a hue, but not Ms. Zula! She just felt it was pretty and that was enough. I find that carefree approach so refreshing. Also, Ms. Zula’s fine jewelry is significant to her. Both the necklace and broach are the first expensive pieces she bought with her own money, and she still has the pieces today! I think having sentimental pieces is the ultimate form of self-expression— it cuts through trends to create a wardrobe that has personal meaning.

The elements that stood out for me in Ms. Zula’s outfit are the prettiness, the carefree quality of combining variations of a hue, and the refined, significant pieces of jewelry. See how I think Ms. Zula would style her outfit today.

Myriam's mom.jpg

Carolina Herrera dress/ Saint Laurent sandals/ Marni bag/ Oscar De La Renta broach/ Kate Spade necklace / Inspo photo

And next we have my mom. If you saw me talk about her in my intro video, you heard me say my mom wasn’t into fashion at all. For the record, I’d like to correct that statement. What I meant to say was that she did not necessarily know name brands, or scour through fashion magazines. BUT, she definitely enjoyed expressing herself through clothes and had her own unique way of dressing. Like Ms. Zula, my mom came from the Caribbean— Jamaica. She later lived in England for 15 years before deciding to relocate her family to the States. I think for her, America represented opportunities, and a chance to live a good life—one that she enjoyed expressing through her clothes.

In this picture, my mom was going to church— an integral part of my her life that gave her many opportunities to get dressed up. When I asked her about her outfit in this picture, she said it is a “two-piece” light pink suit; and she wanted to wear a suit because it was “more sophisticated” than a dress. She chose light pink because “everyone was wearing” it at that that time. And of course, it all had to match to appear really put together. She also wore a lacquered rattan purse with a wooden handle (the same one I rock today) because she thought it looked “stylish” and couldn’t find it anywhere else. All of this lets me know, appearing polished, cultured, and unique was high on her list, and a reflection of what she valued.

The elements that stood out for me were the suit with pastels and pleats. The masculine touches on this otherwise feminine ensemble likely created the sense of “sophistication” my mother was drawn to. The matching, monochromatic color scheme suggests effort and thoughtfulness—very much unlike the carefree, I-woke-up-like-this look we value now. I thought about how my mom would incorporate the sense of pride reflected in matching her pieces (which is more ironic and nostalgic now) with the more carefree style of dressing we revel in today.

my mom.jpg

Here is my mom again at my brother’s graduation. It was the end of the 70’s and everything felt heavier and weightier, and clothing felt thicker and less airy (think old school polyester). Though much time has past, some staples remain. It’s hard to see from the picture (sorry about that) but my mom is wearing a light pink skirt suit—super cute then and now, right?! When asked why she chose the outfit, she said “I thought it was very pretty…When I saw it I loved it right away…It fit me so well.” Now here is a woman who knows what she likes. For those who tend to deliberate before buying something, there’s definitely something to be said for knowing “it” when you see it. If you have to think too much about it, it may not be the right piece for you— agree?

The major element that stood out to me was the tweed-like matching skirt suit, reminiscent of Jackie O. Perhaps if my mother were the same age today, she would update it with a bustier (probably not, that’s more me) and thong mules that make the outfit appear lighter, and less stuffy than in previous years.

mom's graduation dinner.jpg

Giambattista Valli blazer/ Giambattista Valli skirt/ Brother Vellies shoes/ YSL handbag/ Prada sunglasses/ Nicholas bustier/ Inspo photo

Do you agree with my interpretation? How do you think these women would style their outfits today?

Different Time, Same Style: 70's Working Mom

Hi Folks! It's been a couple of weeks since I've posted and I'm so happy to be posting again. I didn't intend to be gone these last couple of weeks. I've just been really busy with work and family responsibilities. Sometimes it can be difficult when you're trying to do it all, but I'm committed to making things work, even when it feels like there's not enough time in the day, or enough resources to do what needs to get done. Sometimes all we have is motivation and determination, and if so, well Gosh Darnit, I say make the best of it.

This week I'm excited to share another installment of Different Time, Same Style or what I'd like to call DTSS. It's among my favorite to write, yet also one of the most challenging. I'm fascinated by history and have always been intrigued by how people dressed and did things in the past. So I thought it would be cool to reinterpret the style and wardrobe of people in past eras based upon what I'd think they would wear if they were the same age today. Of course, no one really knows for sure how we would dress in a different time period. I'd like to think I'd be chic and stylish, but that would depend upon a combination of factors such as the social-cultural standards of the day, the expectations imposed by my family or immediate environment, my financial status, and the list goes on. As you can see, figuring out what I'd wear is no easy feat. But it's not so much about being accurate as much as it's about conveying a thoughtful reinterpretation of styles from past eras. And isn't that what inspires the collections of countless fashion designers? My ability to create a thoughtful re-interpretation stretches as far as my creativity will take me, and taking creative liberties is the best part.

So without further ado, meet my newest DTSS muse, my friend's mom. She has such a graceful and endearing quality, and when I saw pics of her in the 70's, it all made sense. I mean, of course she was a chic and modern working mom of two! I did some digging and learned that in the 70's, she worked as the personal secretary to Governor Shapp of PA. He started the Peace Corp as a way to help provide technical assistance to other countries, and expose the US to different cultures. Nowhow's that for a fun fact. I imagine my friend's mom being immersed in an atmosphere where worldliness and a blending of ideas from different cultures were strongly encouraged. Still, the 1970's was a transitional time for moms. The June Cleaver image was fading away, but the concept of a working mom was considered cutting edge, and from her attire, it's clear my friend's mom was part of the new wave of stylish, working moms. Think Mary Tyler Moore minus two kids.

Below are pics of my friend's mom going to the Governor's ball (1), out and about with the Governor at a construction site (2), with her children (3), and spending some time at the water front (4). She's super cute, and if she was the same age today, I bet her wardrobe would be no less modern. In fact, most of the current trends reference the 70's so if she was transported to 2015, I'd bet her wardrobe would be an ode to her 70's self. Don't you think? See how I interpreted DTSS for her below.

DTSS: 70's Working Mom

Different Time, Same Style

Hello. How has your week been? I've been busy with family and trying to register the name for my new creative consulting and wellness company. I never knew how difficult it could be to pick a matching domain name that wasn't already taken. Just a little tip: it really helps if you're company or blog name is specific and not generic, or one word like mine. For sure, I love the name Truly, but I must admit, it has been pretty difficult to work around. It's definitely been a lesson in patience for me, and learning to trust God in the process. Thankfully, I've come up with ideas, and promise to reveal more as things unfold. BUT, I will not be talking about domain names today. Instead, I decided to bring back my series, Different Time, Same Style. It's a column I started some time ago (see the first one here). In fact, I've started a few columns I no longer write because they didn't seem to work. But I really enjoy this one. Different Time, Same Style is where I answer the question, "What would they wear today?" I love history. I find it fascinating to learn about how people did things "back then" and the impact it has on us today. Recently, I came across an online photo essay, "Oct. 1969 Hippie high school," shared by the popular design blog, Design Sponge via mashable.com. It highlighted the impact that the hippie movement had on teenage fashion in the year 1969 with photos that were beautifully shot by photographer, Arthur Schatz. The article made some interesting points, mainly noting that the hippie movement evolved from counter culture to mainstream and heavily influenced the way high school students dressed. Essentially, the mainstream capitalized off the hippie movement by making mass produced hippie inspired clothes that the young generation could identify with and use to assert their individuality. Ironically, because "everyone" seemed to be wearing the clothes, the homogenized look countered the very freedom and individuality that the hippie movement represented.

The article reminded me of the evolution of hip-hop culture, which also started out as a counter culture movement that the mainstream capitalized of off for profit. Eventually hip-hop fashions, originally created to reflect individuality and an attempt to stand out from what was perceived as an oppressive mainstream, is now mainstream. And really, where can we go without seeing some type of commercial, ad, or clothing line that hasn't been influenced by hip-hop.

Fun, young, free, & "edgy" mainstream style

1969 different time, same style2

 pic||clutch|| top|| shorts|| shoes

So when I thought about  what the teenagers in this article would wear today, I thought about the influence of hip-hop and the impact it has on teenagers, who by nature are inclined to assert themselves and push the boundaries of what mainstream, or their parents expect of them. The teens in the picture seem fun, young, and free, and their hippie inspired clothing reflects this. But their clothing is also noted to be more safe and maybe not as authentic as would be worn by true hippies during that time. This complex dynamic is what I attempted to replicate with the outfit above. The high-waisted jean shorts with the lattice crop top feels fun, young, and free, yet there is a little hip-hop edge with the graffiti (which would have never been considered a "thing" in the mainstream back in the day) printed designer clutch, and modern, metallic flatforms that are both youthful, and good for frolicking around. If these kiddos were teenagers in 2015, I think they would wear an outfit just like this. What do you think?

Different Time, Same Style {New Year's Edition}

Hey Folks! Can you believe it's 2014 already? As we go out with the old and in with the new, I'm praying 2014 is ALL that you desire. My hope is to dedicate more time to make Truly Blog an eclectic mix of  psychology, style, and inspiration. One of the ways I plan to do that is to continue with my Different Time, Same Style series. This is where I feature vintage photos of people, and attempt to answer the question "What would they wear today?" Putting together this series can be a wonderfully complex process that integrates both sociology, psychology, and history. I'm always fascinated by history and often wonder how people of bygone eras would style themselves given the sociological and psychological factors unique to today's world. I decided to start the year off with a bang, and put together a New Year's Edition. New Year's celebrations have been a mainstay even before there were photographs to record them. If you're looking for style inspiration to ring in the New Year, you may want to take some cues from these fab vintage ladies. They have a distinct style that says a lot about their personalities and the social world that helped to shape it.

Different Time, Same Style NY2014_edited-14

1. Masculine/Feminine

This is 1920's entertainer Florence Mills. According to historians, she was born into poverty and became one of the leading performers of the Jazz Age. No doubt, her artistic talent helped propel her into a creative lifestyle that was not an option for many women or people of color during her day. Her mix of masculine and feminine exemplifies the free spirit typical of entertainers, and a willingness to break social barriers of the day.

Florence Miller||Tuxedo jacket||sequin pants||clutch

 2. Masquerader

This is a photo of the lavish 1966 Black and White Ball hosted by author, Truman Capote.  Truman Capote held the ball for his high society friends and set a trend for fabulous masquerade balls and costume parties. The lady in the photo seemed perfectly dressed for the occasion decked out in her all white get-up. Clearly she enjoys a good time, and would likely embrace the fabulous, yet fun and quirky attire of modern high society costume parties.

Black & White Ball of 1966||Jumpsuit||Fur Head Band|| Gold Mask

3. Fun, Sweet, & Flirty

Here is a fun photo of entertainer Olga San Juan taken in the 1940's. She was  known as the "Puerto Rican Pepperpot," and this photo of her in classic navy- themed attire captures her energetic spirit. If she was taking the photo in the 21st century, I'm sure her fun, sweet, and flirty disposition would shine through. Olga left the business in the 50's to raise her children. What a strong statement about her commitment to family— something as traditional and classic as a navy uniform. For sure, she would likely go for the classic colors of black, white, and red.

Olga San Juan||Bordeaux Lip Stick||Red Heels|| Romper

If you have any vintage photos, feel free to send them my way so I can include them in the Different Time, Same Style series. It would help to know a little about the person in the photograph and what was going on for them the time the photograph was taken. Hope to hear from  you. Love ya, and have a wonderful New Year!

Different Time, Same Style

I'm not certain I've mentioned this before, but I'm fascinated with history. I love looking at old movies to get a glimpse of  how things were done "back then." Particularly with old photos that capture  a moment in a person's life, I wonder  what the person was thinking and feeling, and usually study their style of dress, as it reveals a lot about their larger culture,  social standing, values,  emotional state, and so on. I also  often find myself wondering what the person in the  photo would wear today. What style choices would they make if they were still them, exactly as they appear in the photo, BUT in our society. Interesting, right?  Well instead of just thinking about it,  I thought it would be fun to actually put together outfits I think the people in old photos would wear today, based upon what I know about them and their time. Here it goes.

PRIM & PROPER W/ A LITTLE VAVOOM

lisa salzer/shopbop deco earrings/coast melina knit dress/giuseppe zanotti platinum leather platform sandals

This is my mother with my grandmother and aunt in 1950's Jamaica. My mother grew up in a very small town where everyone knew each other and went to the same church. They look so very much a part of their time in this photo—prim, proper, and extremely modest. My grandmother, though loving and kind, was also very stern, and made sure her girls were well brought up (think Marilla in Anne of Green Gables). Absolutely no panty lines, and girdles a must. (This was passed down to me, and to this day I just don't feel comfortable without  a girdle on.) My mother also had a very strict religious upbringing that severely restricted the clothing she could wear. That is, no pants, no short skirts, no jewelry, no make-up, and basically nothing that could be misconstrued as sexy or "worldly." When I asked my mother about this photo, she told me  it was "an event" in her town to have a picture taken. She was wearing her "Sunday best," and said  her belt was a big deal. Perhaps her belt was perceived by others as pushing the boundaries of what was considered modest dress, but my mom didn't care. I love that she tried to assert her individuality despite the most restricted of dress codes. I imagine that if she was living under similar constraints today, with our  society as it is, she may be inclined to wear  a fierce pair of shoes or colorful earrings that make her stand out just a little from the rest.

GOOD TIME GIRLS

photographer joel meyerowitz via red light politics/jennifer lopez by photographer jason merrit via ehow/alexander wang white pumps/urban outfitters electra lipstick color/dolce and gabana leopard print dress

I love this 1960's photo from famed photographer Joel Meyerowitz. The description says that these  girls are on the street in NYC. From what I know of the 1960's, I'd guess that these girls were the party girls of their time. The one checking herself out with her compact case must be super into her look. And all four of them are wearing white shoes. I don't think I realized how trendy white shoes were back then— did you?  If I'm not mistaken, I think it was pretty risque for women to be "hanging out" on the street at that time. Perhaps these girls were street smart with an attitude, and may have very well been the Jennifer Lopezes of their time.  I imagine that if they were young today, they would certainly be wearing a form-fitting, sexy dress, with red lipstick to complete their come hither look.

FANCY "IT" GIRL

african-american girl via old picture of the day/feather skirt via moodsewsociety blog/zara strappy heels/alexander mcqueen knuckle clutch/catherine malandrino dress/ rada bracelet

There are several copies of this vintage photo on the internet, and according to the description, it is an African-American girl in 1899. Based upon some of the comments made about this photo on other sites, this girl's dress suggests she was more well-to-do than many other African-Americans of her time. They argue that her feathers and pompadour hairstyle were all the rage in 1899, and shows she was in the know. Then there are others who believe that her feathers and exposed arms were not considered respectable dress during her time, making her more of, shall we say, a woman of the night than a high society girl. Whatever the case, this young woman is dressed in fancy attire during a time when many Blacks were photographed as sharecroppers in tattered clothing. So I imagine  she may have been somewhat ahead of her time— unfazed by the social limitations of her day. I'd like to think she was daring and fashion forward, and if she were around today, she would certainly qualify as an "it" girl.

Now your turn. How do you think these young woman would dress  today? Maybe you've thought of their style in a whole different way. Feel free to share.